Clark knows Bruce knows he's talking about brainwashing small alien children, and Bruce knows Clark knows that Bruce knows, but it's very good of Bruce not to say it out loud as Clark tips him a rueful half-smile and nods. In his hesitant but not halting Kryptonian, he directs the computer to pull data from the modules.
There's a lot to clean out. They don't, for instance, need quite this much repetition, and they don't need it delivered pitched at certain kinds of frequencies ostensibly to better implant these lessons in their brains. There is a visual component that they don't have access to, standing on the bridge, that appears to use abstract visual input as more of a hypnotic tool than an education one, but.
There's an alphabet in there somewhere.
They discover, quickly, that more advanced modules begin to differentiate between specialised streams of learning. Different language paths between soldiers, artists, engineers, doctors, architects. Farmers. Not wholly separate lexicons, but different emphases, alternate jargon and concepts relevant to profession. It's disquieting enough that Clark becomes quiet as they work, quiet between issued commands to the computer, suggestions around means of compilation.
Eventually, "You'd have liked my father," a little wry, a little intended to talk around something, away from something. "Or the digitally rendered consciousness of him. I did."
Bruce pulls his laptop out of his bag, sets it up to work with the data being offered. He has to be selective, because even though his modest equipment brought along is more state of the art than even military, he would like not to fry anything. Data is not always compatible. He's clinical about it, avoiding commentary or apparent investment in the way things are so unnervingly segregated. They are not levels of formality; this is something else. Unfortunately, though, it loops in with what he's already gleaned about Kryptonian society.
In between divvying up sandwich no 2, he asks the computer to provide lessons centered around media liaisons. The loophole seems to work, because of course, there are certain positions that need to have the ability to converse with everyone, though he gets the impression that the AI speaking calmly to him does not appreciate his cheek. He wonders if it remembers him hovering over Kal-El's corpse, floating him in the forbidden murk that birthed the thing that had slain him in the first place.
Probably just projecting onto a computer.
"Jor-El?" Bruce looks at him, doing an okay job at not looking overly curious. Birth parents is not a foreign concept to him - an intimately relevant one, truly - but the way Clark has experienced that dynamic is a far cry from how he, or his kids, have.
And then, as an explanation of why he's heard the name, "Lois." He's taken in her impression of the long-dead Kryptonian, guiding her through a CSGO round on Zod's prison ship. But he'd be lying if he said he's had cause to think much of it since that talk.
It's probably a little careless, talking of fathers without specificity, and it's the kind of care he takes around his mother, for instance, for all that their conversations around such things tend to lack in details anyway. Sometimes he calls the smear of drifting spacedust that was Krypton his home, and he means no disrespect to Smallville either.
His attention tracks to Bruce when he says that name, nodding.
"I think he was a good man," he says. "By anyone's standard, not just Earth's, Krypton's. I don't know how he felt about here, not exactly—whether he chose Earth for me, or me for it. But I think he really wanted something better for it, than what happened to Krypton."
It should feel odder than it is, to talk about these things. They're big things. Titanic, in the scheme of it all. Cosmic. But it comes with the territory of what he shares with Bruce Wayne—someone with the same big picture capacity as Jor-El, and Lois Lane, and himself.
"The last thing he said to me," is a little fond, even, "was that I could save everyone."
Not just one person, not just some people, but a whole planet's worth of human beings, and Clark had believed him. Sitting here in a ship, silent as a mausoleum, reminds him of the everyone that Jor-El had tried to save himself.
Digitally rendered consciousness is specific enough for Bruce. Who is a detective, anyway. Mostly, he's just surprised to hear Clark speak about him, since this is a first, and so much of his Kryptonian identity seems to be ... burdensome. (No thanks to you, Bruce reminds himself.)
He could say—
A thousand things about climate change and political death cults, capitalism, fascism, Arthur's megalomaniac half-brother having a point, about the way they've seen fit to destroy the oceans. Earth may be headed toward's Krypton's end no matter how many evil monsters they vanquish, and what happens then? Do they send a baby away to some other world, and hope it's not too late? Does Clark survive alone, in the cold nothingness of space, until the stars all run red with age?
Not any of that.
Bruce lets out a breath, easily mistaken for a wordless laugh if not for the way his eyes skitter away to his laptop screen, expression doing something. One hand moves on the controls, but it's aimless, busywork.
"I didn't think it would mean anything to me," he says after a moment, perfectly fine. "But that's just because I didn't think about it. Being right here and you being alive, right here. Turns out it means a lot. And your father is right."
So. Taptap. What interesting syntax on this sentence.
It does all seem extremely unlikely, this moment, this conversation. And it's probably true that if Clark thought Superman could literally do it all, he'd have no need for Clark Kent at all. It's also true he died once. True he doesn't blame Bruce for that either.
He'd been sitting crossed legged on the smooth ground but now gets up, a human awkwardness to the motion despite everything. It's an increasingly common move, to step up behind where Bruce is stationed and sitting at the terminal, as if he were at his own work stations back home, and cup his shoulders in his hands and then bury a kiss in his hair, on the top of his head.
Sometimes an excuse just to smell the fancy hair whatever Bruce puts in there, but most times that's a happy bonus.
"He was hopeful," Clark says, after, looking at the screen over top of Bruce's head. "In a way I hadn't been before. Even if he was wrong, that's something."
Bruce does not react at first; sometimes when Clark does this, he will turn his head half a degree, you-are-interrupting-me position, and wait impatiently for the younger man to arrive at the point and then remove the distraction. Other times, it is this: permitting himself the luxury of letting his head rest back against Clark's invulnerable chest, closing his eyes for just a moment. Not really invulnerable. Once in a while he still finds himself expecting a gaping hole there, when he pushes his shirt off. Clark's hands are so warm.
(It is kind of Clark, to not ever question his sanity in having gone full Doctor Frankenstein out of obsessed grief. Granted, he benefitted, but it was not normal of Bruce in any way.)
"If he'd sent you for no other reason than to save his child," Bruce says, somewhat muted, "he'd have been doing the right thing."
Talking to Martha Kent at the funeral had been impossible. She was so kind. In the middle of tolerating his halting condolences, she had come to a realization - not that he was Batman, she was plainly aware of that from the get-go - but that he was Bruce Wayne, and the only other person in attendance who had lost a child. Neither of them said anything, faltering in grey light and dull black clothes. Silently breathed in air that tasted like dirt, and bitterness.
Jor-El must have loved so viciously.
"Also wanting you to deliver your new home to a better fate is the kind of grandly stubborn optimism I can appreciate." His eyes are open again. He hits a key, compiling a primer. "What do you know about him?"
Clark's hands smooth inwards, to conform where Bruce's shoulders curve to his neck. The sweep of his thumbs against the back of it. Not designed to transmit any other message than warmth, acknowledgment.
"Some things," he says, voice quiet where it originates above Bruce's head. "He was a scientist. An advisor to whatever governance existed. They both were, he and—his wife, my mother. Lana Lor-Van."
The information feels thin on the ground, as he says it. The projection of Jor-El had its priorities, but had been equally amenable to the questions Clark had asked too. They'd been preliminary questions, with the presumption he'd be able to ask more of them. Important things, stupid things.
"They broke the laws of their people to have me. But the way he talked about it felt deeper than that, like doing something like that went against something innate. Or—the other way around. But it was like he could see where Krypton had gone wrong, and he could see how much a part of it he was, despite everything."
"Is his work documented in the database here?" he asks, and then repeats the query with his fingers, in Kryptonian. Yes, apparently. Volumes of what looks like scientific academia mostly, but he imagines there's still plenty in there that's telling of the man himself. Language chosen, priorities ranked, commentary offered. Interesting. He doesn't open anything - assuming Clark has already dug through - but he'll remember, for future reading.
Considers, then, listening. After a moment his left hand drifts up to find Clark's corresponding one. Not a natural movement. Still learning. Rare moments of clumsiness when he acts on desires he usually ignores.
"That paints quite the picture." Huh. One eyebrow ticks up. "And implies an explanation for why romantic vocabulary and reproductive vocabulary have no overlap."
Did your parents fuck for freedom, Clark? Fascinating.
"One generation probably wasn't anywhere near long enough for him to divert the course. Unfortunately. That kind of insight can feel like a curse."
Clark's hand arcs a little into Bruce's, ever receptive.
"There's nothing romantic about their reproduction," he agrees, a little wry.
A little sheepish, on behalf of however many billions of dead Kryptonians, and their hollowed planet. Production and evolution, all without purpose. He remembers Zod's sense of superiority, and he remembers thinking: why? To what end?
They haven't even talked about the Codex.
And Clark doesn't want to. He rests his chin on Bruce's head because he's pretty sure he can get away with being annoying today, which does make it awkward to say anything, but says anyway, "How's the song going?"
Some of the phrases skimmed in the deeper recesses of these grammar handbooks (by any other name, etc) suggest there was still orgasmic coupling, even if it's treated as pedestrian and not something worth contemplating over-long, but none of it - even slang - involves inserting organs. Bruce had passively assumed it was a matter of politeness; now he's not so sure. His brain whirs, lightning-quick as much as a human's can be, interested in—
Oof, that steel protuberance bone on his head. Bruce grunts something unintelligible, but doesn't actually protest. Handy of him, to interrupt his spiralling thought process. Too curious for his own good; this is how he ends up building stealth jets in his basement.
"Twinkle twinkle little star," he offers in Kryptonian, devoid of tune or cadence. The AI offers up maps, doing the AI version of apparent confusion.
It makes Clark laugh, just a little, enough for Bruce to feel as much as hear the thrum of it.
"They do have music, actually," he says. "It's a little—well."
He straightens up, relieving the weight of his skull off of Bruce's skull, but arms now draped on broad batshoulders. "Computer, play Threnody-72 of Zistra Va-Rel, please."
And there is music. Long mournful sounding notes from alien instruments—string based, maybe—and the recording of a female voice. Vocalisations are mixed with coherent words, and words are even broken into parts, scattered, ordered. This one is pretty in spite of the strangeness, which might explain why Clark remembers it.
His hand over Clark's shifts to rest against his forearm, shoulders plenty expansive. Enough real estate to comfortably rest all those tracts of Kansan land against.
It is beautiful. In a strange way. Pitches he isn't used to, structures he isn't familiar with; not the sound, but the experience, reminds him of his first explorations on the other side of the globe. Learning languages and learning how to learn languages, getting his brain to accept input from any sound at all. He allows it to wash over him, forcing himself not to take mental notes.
"I can see how a culture might find nothing objectionable about state-coordinate reproduction," he says after a while, once the chamber of the bridge has returned to the standard ambiance of faintly humming equipment, the tiny whiz of his laptop, two people breathing. "Everything flows together. Writing, music, this responsive projection." Sensing Bruce's gaze, the silvery assistant pod shifts in the air near them, its oval 'screen' churning, like it's alive. "Couple of generations of that, and who'd want to make waves?"
Mm, says Clark. They are standing in a ship that is thousands of years old and still runs the same edition of intergalactic Windows that Krypton had going before it exploded. Bruce isn't wrong, in that the answer to rhetorical question would be: no one.
"You'd get bored," he says, after a beat, giving Bruce a squeeze with that arm before finally leaving him in some peace. The squeeze indicates that the figurative you is also you, Bruce.
No one who'd want to and no one who could, anyway.
Anyway. It's still all new and exciting to a Kryptonian raised in Kansas, who posits that maybe there's something useful in the way their songs are written, and volunteers himself into pulling out mathematically quantified sequences with a generous amount of help lent to him by the computer itself. Book smart he is not, but he is quick, given to absorbing and retaining information, sensitively attuned to things like frequency and resonance.
He gets into the second set of sandwiches once he's set the computer on the task of rendering that data down into something Bruce's laptop can crunch, and says, "Is there anything on earth that can do what you want to do? With the atmospheric conditions."
He would get bored, in a bad way. There is no universe out there where Bruce Wayne is anything besides human, with no powers, and no distant planet with a different star waiting to turn him into a god. And that's for the best; just look at the shit he pulls as he is, mortal, wealthy, and with an intellect made by pure coincidence. No one needs to see him crafted into further efficiency through eugenics and left to solve the problem of a planet's imminent demise. Zod would look very tame.
What a thought.
Clark is so brilliant. Bruce can practically see the way he remembers things, and picks apart examples Bruce tosses out, apparently spitballing but truly just seeing what the younger man does with them. It's beautiful, and the language is beautiful, and sitting here with him is compelling in a way he did not prepare himself for.
He doesn't know, after all. Sure, he's done some more general homework, some scouting around the corners of the globe to see if another Lex Luthor (or another Bruce Wayne) is out there plotting how to make a god die (ergh), but this wasn't something he'd considered until today. There's no anxiousness or fear in his expression, just alert curiousity.
Intrigue, too. Building something new, potentially. "Not specifically Kyrptonian," he adds. "But anything with that potential?"
For a split-second, he considered disingenuously thinking on the question - making it look like he hasn't already exhausted the search, and like he hasn't for some time now been prying into the potential for things that could harm Clark. Bruce is aware of what strange ground that might be, for the man who fashioned so many weapons from kryptonite. But, something something, trust. Clark keeps saying he does. So.
"There's nothing naturally occurring on this planet, possibly in this solar system, that can curb you. I would have to engineer it."
Your dad picked well.
"There are two candidate methods. But the reason I want to try to configure a Kryptonian atmosphere chamber first is because the second carries the potential to be very damaging if I build it blind, without data from how you experience that atmo."
Implying that he can just build whatever-it-is blind. Showing his hand a bit, incidentally.
But again, perfectly innocent. Predictably, no piercing distrust, no latent suspicion. Even when Clark Kent, Daily Planet, had squared off with the man he'd as of a few seconds ago discovered to be Batman, there'd been an openness to that glare-off, more of an invitation to disappoint than a scouring attempt to discover something disappointing.
None of that, anyway. Bruce is very smart and it's sexy.
Tuna salad sandwiches, plentiful to balance the moratorium on snack food side dishes (potato chip crumbs? on this hardware?), packed only with some water bottles and cans of Diet Coke. Enough time has passed by now that they won't explode when opened, jostled by the journey, though one is dented. Pressure changes in the flight.
"I would just prefer that you not explode and that I," crack-hiss, hey, still slightly carbonated, even, "do not immediately get leukemia."
But banter isn't released without a slanted look through eyelashes as Clark likewise reaches for a Diet Coke. Bruce, please. The tab is peeled free, the carbonation activates, and talking about this feels a little like he is circling something. A couple things, even.
"You said the chamber might make you sick," he prompts, as he brings can up to mouth to drink from, eyebrows querying.
Mild-mannered journalist Clark Kent. Less so, that m-word. Angling towards the point with his callbacks and questions, digging at a story. Bruce might tell him to cough it up if he didn't find him doing his job attractive (don't unpack that).
"Like it made you sick."
But not, Like it allegedly would have killed Lois, who was given a nifty space hat.
"Sort of. You can adjust. I might not be able to, even if I tweak things. At first, anyway. It's not about the danger of the atmosphere itself the methods used to achieve it. What it looks like, to me, is that the kind of generators - for lack of a better word - used to maintain a Kryptonian liveable atmo on the Phantom Drive ship are not compatible with humans. Or beings from a lot of worlds. You're very good at accepting extreme radiation, no matter the type. I need to look into a... ecologically friendly wind turbine alternative."
He drinks some north pole frozen soda.
"Shellfish."
Ok?
"They do really well with radiation. It's why the fishing market near the wreck has changed like that."
A subtle glimmer of amusement in there. Cool shellfish fact, Bruce. To his credit, Bruce talks about generators and atmospheric conditions and Kryptonian ships and he has Clark's undivided attention, a head-cocked alertness that hasn't gotten old yet, at least not on Clark's side of the conversation. He's never needed to be the smartest person in the room. Or the anythingest person.
"Well, if we can figure it out, and if it doesn't give you a massive radioactive hangover the whole time, it'd be nice to be on a level playing field for a little while. Maybe not only in a strictly professional capacity."
If that's too soon of an angle to pursue, then you'll forgive him for already thinking about it on the plane ride over. Or while they were packing tuna salad sandwiches, even.
This is not actually being overly smart - this is having unprecedented access with which to draw conclusions - the smartness comes later, when he actually does the thing. But if Clark would like to find his application of crabs deal with radiation okay enticing enough to open the door to that sort of talk, Bruce will not dissuade him.
"Mmhm."
As if Clark were talking about the weather. Bruce doesn't actually like Diet Coke; this was a tactical decision, back when they were packing said sandwiches. Counter-balance to tunafish. At least it wasn't egg salad. Would Jor-El forgive him, he wonders, for balancing a soda can on a sleek and silver console's edge as he stands and moves to kiss his son. Probably. Fucking for freedom.
It's a surprise and it's not a surprise, the kiss, when it happens, that it happens. Clark's hands do that thing where they automatic drift up to touch Bruce and rest in place, light and gentle, as is the way he returns the kiss.
A smile interrupting it, inevitably. Out the corner of his eye, he notes one of the androids drifting circuitously nearer. Maybe just randomly, maybe its considering relocating that coke can somewhere less offensive. Clark would doubt dad minding much, although that's not his wondering right this minute.
He'd had an argument with Selina, some years ago. About how he never reached for her, and waited for her to push, every single time. She was furious at him. You'll force an issue for everything, to defeat someone, to help someone, but you'll never take anything for yourself, like you're ashamed.
They both knew he was ashamed of himself, but after years of it, she just felt like he was ashamed of her. I want to be wanted, too.
Bruce took note. It's difficult, still. But he reached out so often in violence, at the start, that—
He's trying. Things that are important to him. And he likes Clark's mouth under his. He doesn't let it linger, though, slipping away almost coyly.
Maybe so.
"I'm nothing if not thorough." He's run all the numbers. Soda can retrieved in rough fingers, he observes the oval assistant floating by, probably scanning the negative nutritional benefit of carbonated cancer water. "And I miss it, too."
That thing they don't talk about out loud, most of the time.
It. That thing. He's talked to Lois about it, a little bit. Trying to walk a line between honesty with his wife and privacy on Bruce's end of things, in the same way he would not unearth details at random about his sex life with Lo. Even without that balance, it's a hard thing to describe in words.
Without sounding completely crazy, anyway. It's nice when it can just be it.
His hand lingers on Bruce as he slides away (far too nimble footed for a man of his proportions), affection shaped in the corners of Clark's mouth. For the kiss. For missing it, too.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
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There's a lot to clean out. They don't, for instance, need quite this much repetition, and they don't need it delivered pitched at certain kinds of frequencies ostensibly to better implant these lessons in their brains. There is a visual component that they don't have access to, standing on the bridge, that appears to use abstract visual input as more of a hypnotic tool than an education one, but.
There's an alphabet in there somewhere.
They discover, quickly, that more advanced modules begin to differentiate between specialised streams of learning. Different language paths between soldiers, artists, engineers, doctors, architects. Farmers. Not wholly separate lexicons, but different emphases, alternate jargon and concepts relevant to profession. It's disquieting enough that Clark becomes quiet as they work, quiet between issued commands to the computer, suggestions around means of compilation.
Eventually, "You'd have liked my father," a little wry, a little intended to talk around something, away from something. "Or the digitally rendered consciousness of him. I did."
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In between divvying up sandwich no 2, he asks the computer to provide lessons centered around media liaisons. The loophole seems to work, because of course, there are certain positions that need to have the ability to converse with everyone, though he gets the impression that the AI speaking calmly to him does not appreciate his cheek. He wonders if it remembers him hovering over Kal-El's corpse, floating him in the forbidden murk that birthed the thing that had slain him in the first place.
Probably just projecting onto a computer.
"Jor-El?" Bruce looks at him, doing an okay job at not looking overly curious. Birth parents is not a foreign concept to him - an intimately relevant one, truly - but the way Clark has experienced that dynamic is a far cry from how he, or his kids, have.
And then, as an explanation of why he's heard the name, "Lois." He's taken in her impression of the long-dead Kryptonian, guiding her through a CSGO round on Zod's prison ship. But he'd be lying if he said he's had cause to think much of it since that talk.
no subject
His attention tracks to Bruce when he says that name, nodding.
"I think he was a good man," he says. "By anyone's standard, not just Earth's, Krypton's. I don't know how he felt about here, not exactly—whether he chose Earth for me, or me for it. But I think he really wanted something better for it, than what happened to Krypton."
It should feel odder than it is, to talk about these things. They're big things. Titanic, in the scheme of it all. Cosmic. But it comes with the territory of what he shares with Bruce Wayne—someone with the same big picture capacity as Jor-El, and Lois Lane, and himself.
"The last thing he said to me," is a little fond, even, "was that I could save everyone."
Not just one person, not just some people, but a whole planet's worth of human beings, and Clark had believed him. Sitting here in a ship, silent as a mausoleum, reminds him of the everyone that Jor-El had tried to save himself.
no subject
He could say—
A thousand things about climate change and political death cults, capitalism, fascism, Arthur's megalomaniac half-brother having a point, about the way they've seen fit to destroy the oceans. Earth may be headed toward's Krypton's end no matter how many evil monsters they vanquish, and what happens then? Do they send a baby away to some other world, and hope it's not too late? Does Clark survive alone, in the cold nothingness of space, until the stars all run red with age?
Not any of that.
Bruce lets out a breath, easily mistaken for a wordless laugh if not for the way his eyes skitter away to his laptop screen, expression doing something. One hand moves on the controls, but it's aimless, busywork.
"I didn't think it would mean anything to me," he says after a moment, perfectly fine. "But that's just because I didn't think about it. Being right here and you being alive, right here. Turns out it means a lot. And your father is right."
So. Taptap. What interesting syntax on this sentence.
no subject
He'd been sitting crossed legged on the smooth ground but now gets up, a human awkwardness to the motion despite everything. It's an increasingly common move, to step up behind where Bruce is stationed and sitting at the terminal, as if he were at his own work stations back home, and cup his shoulders in his hands and then bury a kiss in his hair, on the top of his head.
Sometimes an excuse just to smell the fancy hair whatever Bruce puts in there, but most times that's a happy bonus.
"He was hopeful," Clark says, after, looking at the screen over top of Bruce's head. "In a way I hadn't been before. Even if he was wrong, that's something."
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(It is kind of Clark, to not ever question his sanity in having gone full Doctor Frankenstein out of obsessed grief. Granted, he benefitted, but it was not normal of Bruce in any way.)
"If he'd sent you for no other reason than to save his child," Bruce says, somewhat muted, "he'd have been doing the right thing."
Talking to Martha Kent at the funeral had been impossible. She was so kind. In the middle of tolerating his halting condolences, she had come to a realization - not that he was Batman, she was plainly aware of that from the get-go - but that he was Bruce Wayne, and the only other person in attendance who had lost a child. Neither of them said anything, faltering in grey light and dull black clothes. Silently breathed in air that tasted like dirt, and bitterness.
Jor-El must have loved so viciously.
"Also wanting you to deliver your new home to a better fate is the kind of grandly stubborn optimism I can appreciate." His eyes are open again. He hits a key, compiling a primer. "What do you know about him?"
no subject
"Some things," he says, voice quiet where it originates above Bruce's head. "He was a scientist. An advisor to whatever governance existed. They both were, he and—his wife, my mother. Lana Lor-Van."
The information feels thin on the ground, as he says it. The projection of Jor-El had its priorities, but had been equally amenable to the questions Clark had asked too. They'd been preliminary questions, with the presumption he'd be able to ask more of them. Important things, stupid things.
"They broke the laws of their people to have me. But the way he talked about it felt deeper than that, like doing something like that went against something innate. Or—the other way around. But it was like he could see where Krypton had gone wrong, and he could see how much a part of it he was, despite everything."
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Considers, then, listening. After a moment his left hand drifts up to find Clark's corresponding one. Not a natural movement. Still learning. Rare moments of clumsiness when he acts on desires he usually ignores.
"That paints quite the picture." Huh. One eyebrow ticks up. "And implies an explanation for why romantic vocabulary and reproductive vocabulary have no overlap."
Did your parents fuck for freedom, Clark? Fascinating.
"One generation probably wasn't anywhere near long enough for him to divert the course. Unfortunately. That kind of insight can feel like a curse."
no subject
"There's nothing romantic about their reproduction," he agrees, a little wry.
A little sheepish, on behalf of however many billions of dead Kryptonians, and their hollowed planet. Production and evolution, all without purpose. He remembers Zod's sense of superiority, and he remembers thinking: why? To what end?
They haven't even talked about the Codex.
And Clark doesn't want to. He rests his chin on Bruce's head because he's pretty sure he can get away with being annoying today, which does make it awkward to say anything, but says anyway, "How's the song going?"
no subject
Oof, that steel protuberance bone on his head. Bruce grunts something unintelligible, but doesn't actually protest. Handy of him, to interrupt his spiralling thought process. Too curious for his own good; this is how he ends up building stealth jets in his basement.
"Twinkle twinkle little star," he offers in Kryptonian, devoid of tune or cadence. The AI offers up maps, doing the AI version of apparent confusion.
no subject
"They do have music, actually," he says. "It's a little—well."
He straightens up, relieving the weight of his skull off of Bruce's skull, but arms now draped on broad batshoulders. "Computer, play Threnody-72 of Zistra Va-Rel, please."
And there is music. Long mournful sounding notes from alien instruments—string based, maybe—and the recording of a female voice. Vocalisations are mixed with coherent words, and words are even broken into parts, scattered, ordered. This one is pretty in spite of the strangeness, which might explain why Clark remembers it.
no subject
It is beautiful. In a strange way. Pitches he isn't used to, structures he isn't familiar with; not the sound, but the experience, reminds him of his first explorations on the other side of the globe. Learning languages and learning how to learn languages, getting his brain to accept input from any sound at all. He allows it to wash over him, forcing himself not to take mental notes.
"I can see how a culture might find nothing objectionable about state-coordinate reproduction," he says after a while, once the chamber of the bridge has returned to the standard ambiance of faintly humming equipment, the tiny whiz of his laptop, two people breathing. "Everything flows together. Writing, music, this responsive projection." Sensing Bruce's gaze, the silvery assistant pod shifts in the air near them, its oval 'screen' churning, like it's alive. "Couple of generations of that, and who'd want to make waves?"
Everything in its place.
no subject
"You'd get bored," he says, after a beat, giving Bruce a squeeze with that arm before finally leaving him in some peace. The squeeze indicates that the figurative you is also you, Bruce.
No one who'd want to and no one who could, anyway.
Anyway. It's still all new and exciting to a Kryptonian raised in Kansas, who posits that maybe there's something useful in the way their songs are written, and volunteers himself into pulling out mathematically quantified sequences with a generous amount of help lent to him by the computer itself. Book smart he is not, but he is quick, given to absorbing and retaining information, sensitively attuned to things like frequency and resonance.
He gets into the second set of sandwiches once he's set the computer on the task of rendering that data down into something Bruce's laptop can crunch, and says, "Is there anything on earth that can do what you want to do? With the atmospheric conditions."
no subject
He would get bored, in a bad way. There is no universe out there where Bruce Wayne is anything besides human, with no powers, and no distant planet with a different star waiting to turn him into a god. And that's for the best; just look at the shit he pulls as he is, mortal, wealthy, and with an intellect made by pure coincidence. No one needs to see him crafted into further efficiency through eugenics and left to solve the problem of a planet's imminent demise. Zod would look very tame.
What a thought.
Clark is so brilliant. Bruce can practically see the way he remembers things, and picks apart examples Bruce tosses out, apparently spitballing but truly just seeing what the younger man does with them. It's beautiful, and the language is beautiful, and sitting here with him is compelling in a way he did not prepare himself for.
If I told myself five years ago, that—
"Making 'red' radiation?" Query.
no subject
He doesn't know, after all. Sure, he's done some more general homework, some scouting around the corners of the globe to see if another Lex Luthor (or another Bruce Wayne) is out there plotting how to make a god die (ergh), but this wasn't something he'd considered until today. There's no anxiousness or fear in his expression, just alert curiousity.
Intrigue, too. Building something new, potentially. "Not specifically Kyrptonian," he adds. "But anything with that potential?"
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For a split-second, he considered disingenuously thinking on the question - making it look like he hasn't already exhausted the search, and like he hasn't for some time now been prying into the potential for things that could harm Clark. Bruce is aware of what strange ground that might be, for the man who fashioned so many weapons from kryptonite. But, something something, trust. Clark keeps saying he does. So.
"There's nothing naturally occurring on this planet, possibly in this solar system, that can curb you. I would have to engineer it."
Your dad picked well.
"There are two candidate methods. But the reason I want to try to configure a Kryptonian atmosphere chamber first is because the second carries the potential to be very damaging if I build it blind, without data from how you experience that atmo."
Implying that he can just build whatever-it-is blind. Showing his hand a bit, incidentally.
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Like Clark wasn't gonna ask.
But again, perfectly innocent. Predictably, no piercing distrust, no latent suspicion. Even when Clark Kent, Daily Planet, had squared off with the man he'd as of a few seconds ago discovered to be Batman, there'd been an openness to that glare-off, more of an invitation to disappoint than a scouring attempt to discover something disappointing.
None of that, anyway. Bruce is very smart and it's sexy.
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Like Clark wasn't gonna ask.
Tuna salad sandwiches, plentiful to balance the moratorium on snack food side dishes (potato chip crumbs? on this hardware?), packed only with some water bottles and cans of Diet Coke. Enough time has passed by now that they won't explode when opened, jostled by the journey, though one is dented. Pressure changes in the flight.
"I would just prefer that you not explode and that I," crack-hiss, hey, still slightly carbonated, even, "do not immediately get leukemia."
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But banter isn't released without a slanted look through eyelashes as Clark likewise reaches for a Diet Coke. Bruce, please. The tab is peeled free, the carbonation activates, and talking about this feels a little like he is circling something. A couple things, even.
"You said the chamber might make you sick," he prompts, as he brings can up to mouth to drink from, eyebrows querying.
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"Like it made you sick."
But not, Like it allegedly would have killed Lois, who was given a nifty space hat.
"Sort of. You can adjust. I might not be able to, even if I tweak things. At first, anyway. It's not about the danger of the atmosphere itself the methods used to achieve it. What it looks like, to me, is that the kind of generators - for lack of a better word - used to maintain a Kryptonian liveable atmo on the Phantom Drive ship are not compatible with humans. Or beings from a lot of worlds. You're very good at accepting extreme radiation, no matter the type. I need to look into a... ecologically friendly wind turbine alternative."
He drinks some north pole frozen soda.
"Shellfish."
Ok?
"They do really well with radiation. It's why the fishing market near the wreck has changed like that."
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A subtle glimmer of amusement in there. Cool shellfish fact, Bruce. To his credit, Bruce talks about generators and atmospheric conditions and Kryptonian ships and he has Clark's undivided attention, a head-cocked alertness that hasn't gotten old yet, at least not on Clark's side of the conversation. He's never needed to be the smartest person in the room. Or the anythingest person.
"Well, if we can figure it out, and if it doesn't give you a massive radioactive hangover the whole time, it'd be nice to be on a level playing field for a little while. Maybe not only in a strictly professional capacity."
If that's too soon of an angle to pursue, then you'll forgive him for already thinking about it on the plane ride over. Or while they were packing tuna salad sandwiches, even.
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"Mmhm."
As if Clark were talking about the weather. Bruce doesn't actually like Diet Coke; this was a tactical decision, back when they were packing said sandwiches. Counter-balance to tunafish. At least it wasn't egg salad. Would Jor-El forgive him, he wonders, for balancing a soda can on a sleek and silver console's edge as he stands and moves to kiss his son. Probably. Fucking for freedom.
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A smile interrupting it, inevitably. Out the corner of his eye, he notes one of the androids drifting circuitously nearer. Maybe just randomly, maybe its considering relocating that coke can somewhere less offensive. Clark would doubt dad minding much, although that's not his wondering right this minute.
"So you ran those numbers too," he says.
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They both knew he was ashamed of himself, but after years of it, she just felt like he was ashamed of her. I want to be wanted, too.
Bruce took note. It's difficult, still. But he reached out so often in violence, at the start, that—
He's trying. Things that are important to him. And he likes Clark's mouth under his. He doesn't let it linger, though, slipping away almost coyly.
Maybe so.
"I'm nothing if not thorough." He's run all the numbers. Soda can retrieved in rough fingers, he observes the oval assistant floating by, probably scanning the negative nutritional benefit of carbonated cancer water. "And I miss it, too."
That thing they don't talk about out loud, most of the time.
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Without sounding completely crazy, anyway. It's nice when it can just be it.
His hand lingers on Bruce as he slides away (far too nimble footed for a man of his proportions), affection shaped in the corners of Clark's mouth. For the kiss. For missing it, too.