Not eating cheese, sitting in a Mercedes-Benz with his boyfriend, while married. A plethora of sins. And difficult ones, too. No cheese is a soulful pain, on the east coast. Vermont, man. (Proximity to other demons. In fairness, Thomas Wayne would have also disliked Bernie Sanders, having been good-hearted but staunchly preferring to be charitable over being taxed.)
"Mm." Affirmative. Car on, but not moving. If he's only got one and a half hands, he's not going to eat a burrito and drive 120 miles per hour. He could, but the salsa would be pushing his luck.
"I ended up a fan," because for fifteen years I couldn't go into a regular cinema, "and sitting around in cars always makes me think of them. There's one on the other side of the city, still, but it's under the municipal airport. Which should be a crime, I think."
"Disrespectful," Clark agrees, around his next bite, quick on the back of that comment.
It's an easy memory lane to go down. A highly awkward date with Lana Lang immediately springs to mind, at an age where girls seemed to have five years experience at acting like adults than every boy he knew, including (especially) himself. Other times, alone. Friends and making them hadn't come so easy, even if he was allowed to drive around on the occasional Friday night at age fifteen, which is.
Impressive, on reflection. What a nerd.
"I took a girl out to see Godzilla. The one from 1950-something. I thought it was pretty great," in the tone of someone who still thinks it was pretty great, awful American dub work and all. "I take it your taste runs a little more..." What's the word. "Less lizard monsters." Nailed it.
"'54," Bruce offers, about what year Godzilla came out. Dramatic - or not - pause, during which Clark gets to wonder about his tastes, while he gets through some more burrito and washes it down with coffee. A critical look. Are you saying he wouldn't like a lizard monster, Kent.
"That's one of the best movies ever made. And one of the most visceral, dealing with fears about nuclear holocaust so soon after the war."
And pleased. Bruce Wayne likes movies, and movies he likes. He starts describing with enthusiasm the plot of the second one he ever saw, unable to recall the name, and enough cross-reference between them identifies it as Invasion of Astro-Monster which also tells on him for his taste levels, in spite of a strong opener.
A hard pivot, then, asking, "Did you ever see The Day the Earth Stood Still? I could probably watch Wise movies all day," as he balls up the burrito wrapper, containing all debris within. He is, at least, a neat eater.
Sometimes, when Clark hits a particularly charming stride, it's shocking— not that he can be that way, but that Bruce gets to experience it. Unbelievably lucky, to sink his teeth into and choke on all the bloody mess of intensity that they have, and also, listen to him ramble on about old sci-fi movies. This morning, it isn't a shock he feels, but something gentler; a squeeze around something inside, conjuring an ache that has nothing to do with bruising.
Bruce eats his breakfast, quietness of his smile obscured behind burrito-or-cup held up to his face (showing his hand in his gaze, visible since he'd pushed his sunglasses up to the top of his head).
That future won't come. It isn't Clark. He won't let it be.
Bruce nods, when they swerve from kaiju to tales of human aggression versus aliens demanding peace. (It still isn't Clark.) "On the nose," he teases softly, still left with a corner of breakfast burrito, mostly folded up tortilla and leftover hot sauce. "One of the greats. In both instances, film and director. The first of his I saw was Born to Kill - too young, probably, but it was sort of therapeutic."
Of course it was. Bruce folds the foil and wax paper over itself, not so much buying time as just thinking.
"We should watch Haunting sometime. I always thought it was sort of romantic."
New kink: Bruce validating Clark's film choices with confident certainty.
There'd been a crooked smile for teasing—boy, does he ever know—that then gentles at Bruce's choice of formative film experience. Oddly affirming, this moment in time and they're not even admiring sea otters or stingrays yet. It's early enough to render the city and its outlying territories in church light colours, and getting to spend any time with Bruce out in the wild is unusual in itself.
How worried he'd been, when Bruce had been gripped in the throes of dreams, and to think that the worst influence he thought he'd had on his nightmares was waking him up.
His eyebrows raise at this suggestion, charmed, and says, "Beautiful, definitely. Terrifying. You can convince me on romantic." And then he holds out his hands for trash, to go dispose of it. "Want more coffee before we go? I can get it."
Most times, it seems, Bruce should just be left to suffer. Isolated, in the dark, the damage is minimized; he only hurts himself. Imagine how much less strange this day would have been if Clark hadn't cared so much.
"Mm." About the convincing. Like: I will, so.
Since he's offering, Bruce forks over the wrapper, and then smiles at him in that jagged-edge socialite way he did back at that awful library benefit. It's just as performative, but funnier these days on account of just how bullshit Clark knows it to be—
And how sexual it obviously is.
"You're a saint, Kent."
Yes, more coffee, please. And when that's sorted out, they're off to the aquarium, which is far from bustling on a week day, but not empty. The parking garage is uninspired, littered with cars spanning Gotham's usual wide range, junkers to luxury. Bruce's isn't even the nicest one, which says something about the nature of the city; opportunity and intrigue often does much more than safety. It's a shithole, and yet there are jobs, and engaging politics, and diverse schools. Gotham City is always fucking trying, which is more than many other, better places can say.
In his hat, Bruce looks slightly more unremarkable. Probably only a few chaperoning parents and the odd manager would recognize him anyway, these days. Which is a relief. Bruce does not miss being the height of useless celebrity, no matter how it's worked out alright for a cover.
"Sharks," Clark says, definitively. There's a bias, there.
That practically all of Smallville and everyone at a news organisation knows Superman's identity should gesture to the farce that is Clark Kent navigating the world with his distinct everything, but a few small things can be shockingly effective. The glasses, sure, but a less articulate hairstyle, the tweed jacket he threw over his forest plaid, a conscious way of tapping into certain personality centres that aren't completely fabricated. There is something a little dopier and disarming in the way he talked the cashier through his vegan breakfast, or smiled at the lady selling admission. Superman, in a lot of ways, is a whole other performance.
The disguise of 'sweet dork who kind of looks like Superman, don't you think' is effective when it's, you know, only a little off from the truth. And no one's looking at them now, anyway.
They're looking at sharks.
The tanks are spooky in a way Clark likes, necessarily gigantic, full of shadows and sharding light that wobbles through the surface. The sharks that glide by are wide eyed, toothy, (he'd thought about it, kissing Bruce's smile in the car, hard and chastising, but his hands had been full and he really did want to go to the aquarium,) and Clark never really figured out if his sense of living creatures actually gives him some insight into how they're feeling. It is possible he is just prone to projecting onto them, he knows, but these guys read curious and friendly.
"Do you think they're more like dogs or horses to Atlanteans?" is his completely serious question.
Nobody ever thinks that Bruce Wayne could be Batman, not even just because Batman only might exist. It's just that, also, whenever anyone finds out Bruce Wayne is Batman, they stare off into the distance for a little while having a moment not unlike thinking that Hannibal rhymes with cannibal.
Anyway, everyone who knows Clark knows he's Superman.
"I guess it depends on the size of the shark and the way weight distribution versus momentum works for them," is his completely serious answer. "Spines do most of the work, with horses, and sharks don't even have bones."
Two men who really like Godzilla could easily be so extremely annoying Arthur. It's probably for the best that he's not very Atlanean. Heaven forbid they get a hold of his brother.
A large hammerhead drifts by above them, its funny crescent moon mouth passing over them like a spotlight. Distorts, looking impossibly large in the warped reflection through curved tunnel glass, slips by back to normal size. Bruce is doing a lot of placid sight-seeing, hands mostly in his pockets, sometimes out, tapping against a display placard before he remembers himself. An extreme version of a very old therapy tactic. Redirection. How do I get out of the impending debilitating panic attack in front of Clark. Let's get the fuck out of here entirely. Aquarium. Sure. He's fine. This is actually really nice; good thing Clark didn't kiss him in the car, they probably wouldn't have made it.
Clark wanders a little ahead of Bruce now and then, at one stage following along with a gigantic spotted stingray pressing its oddly smiley white face to the tunnel wall before it skates off above and over his head. Bruce taps a plaque here and there without thinking and the noise of it, to Clark, seems like it could make ripples through the green-blue around them, but of course it doesn't.
Something getting worked through, anyway. At one stage, Clark remembers himself and takes out his phone, giving Bruce a chance to catch up. He angles the device upwards to take ominous look pictures of the hammerhead silhouette, now swum further up towards the surface of the tank, a shadow against bright blue.
Once done, he looks to Bruce and tips the phone. An inevitability, especially under the aquatic gloom and blue, very cinematic. "C'mere." He'll take off his own glasses and everything.
It's easy to watch Clark. Bruce likes watching people in general, and there are few people who can contend with a Kansan-Kryptonian when he's keen on something. He doesn't mind being pulled behind like a kid holding kite string; it's grounding, though he isn't sure why.
(He is, actually. Sure why.)
"Oh, huh." We're doing this, are we tone of monosyllabic voice. Bruce's sunglasses are already clipped into his shirt, 'indoors' like they are, and so he pops his hat off and shakes his hair out a bit, patiently sidling up beside Clark.
"I bet you're actually just taking a picture of that fish," he observes mildly. Bruce is not enthusiastic about photos, but after a lifetime of being in the public eye, his good angles are on the kind of auto-pilot that would please Tyra Banks. For given value of good, anyway, he's a weird old guy taking up way too much space next to Superman.
"He can get in line," Clark says, of the fish, nerd glasses now likewise folded and tucked into his pocket. Only when he lifts the phone and captures them adequately in the rectangle frame and sharpens up his smile does he worry that maybe he should not, given the way this whole day began, which feels like from another world.
Well.
Click.
He takes the picture, their stupid faces taking up a lot of real estate but there's the tank behind them, and streaks of silver from schooling fish. He checks the gallery to see if the job he did was good, other hand drifting to Bruce's back. There are other photos like this, Lois-y ones for the most part, beach days and picnics and brunches, and also one of Diana, all of a similar genre. One without himself in it, of Barry and Arthur across a table somewhere noisy, half-filled pints, not noticing surreptious phototaking. Martha, in her sun hat, holding a trowel and looking embarrassed for the attention, and pleased by it too.
There's no instragram for these, obviously, and he is not actually That Guy about photos, but a collection's begun to form since he came back from the dead. New habits. It's probably unrelated.
Clark shows the picture to Bruce, for his satisfaction.
Clark is pretty cute, turns out. Who knew. The other photos, intimate things despite the ordinary nature of them, are glanced quickly and committed to memory, unobvious about it. Bruce is not the type to take pictures. He was, once. There are photo albums full of his kids, and even ones of himself, before. They're with Alfred. Bruce can't bear to even know where they are, which is probably pathetic. Surely it's been long enough.
(It's probably unrelated.)
He thinks they've probably blown the best attraction too early, with the shark tunnel, but it turns out there are other wonders eager to give it a run for its money. Gharials, slightly nightmarish but fascinating, very active sea otters. Bruce steals Clark's phone for those, and so he (Clark) ends up with a video of himself (Clark) with little aquatic dogs zooming around behind his head (taken by cameraman Bruce).
There's a beluga whale teasing them, at the moment, and it's pretty great.
"You hear about the Russian spy?"
Edited (i'm too tired to make that sentence clearer in a less dumb way) 2021-03-30 10:30 (UTC)
It sounds familiar, a headline Clark probably scanned at some stage or another, read on his phone on a ferry ride, and he could probably bring up the memory if he didn't also want to listen to Bruce talk to him about Russian spy beluga whales. They stand shoulder to shoulder, almost, watching this particular very good cetacean spin in lazy circles, like it's flying in slow motion.
He has to make Arthur be his friend enough to get to go to Atlantis sometime. He doesn't need to breathe like he didn't really need a protein substitute in his vegan burrito like he didn't need to sleep last night beyond just enjoying the fleeting comfort of it. So he can go to Atlantis if he wants, and it'd be polite to wait for invitation. He's already lured Diana to the midwest with promise of apple pie, even if he has less chance of getting to see Themyscira than even the underwater depths of a forgotten kingdom.
As he plots, and listens, Clark's shoulder bumps into Bruce's. Very human feeling, this contact, rather than a Kryptonian shouldercheck. Probably most fully grown adult men don't go on platonic playdates to aquariums very much, but his instinct is discretion anyway, most times.
Their friend twirls around, mouth opening wide to display deep rows of funny little teeth. If Clark and Bruce are being discreet, that's the only note to observe. An elderly couple and a nuclear family playing hooky from school and work are also drifting through the large viewing area, and he can't imagine there's any conclusion to be drawn besides Those men are on a date, if indeed any conclusion would be bothered to be drawn at all.
Which is not nothing. Perhaps it should be. One of them could have thought ahead a little, about the potential for degrees of fallout should someone snap a photo and run it on the least trafficked corner of TMZ.
Fortunately, he's not that famous.
"They're the opposite of cats," is what he ends up saying, after relaying the requisite facts about Agent Hvaldimir, Defected Russian Spy. "They don't use body language with each other, just sounds. Echolocation."
like a submarine mr wayne
"They do all this for people." He leans one way, slightly into Clark, and the whale drifts to mirror. Bruce smiles.
Necessarily, the clear wall of tank glass is pretty good against glare, likewise protecting from greasy fingerprints with a decent about of space enforced by a railing, but maybe there's a faint shadow of reflection that shows a beginning smile from Clark, a raised eyebrow that communicates go on regarding the thesis of beluga whales being the opposite of cats.
He breaks into a bigger grin when he is the last of the three to tip alongside, and the whale tips nearly upside down.
Laughing, low and quiet, he says, "This is a good aquarium."
His hand finds Bruce's, and he pulls him along at a slow wander for a few feet, the creature on the other side of the glass following them apace. "Reminds me of Woodstock," he adds, which is probably not very flattering to Sigrit, the beluga whale, but probably Clark imagines that Woodstock, the sun conure, very smart, and also prone to watching him exactly like this, following his movements. "But it's probably more like the other way around. I've met some whales."
Slow moving humpbacks, older and wiser and lazily curious about the visiting primate and his bright red plumage. Bright red at the time, anyway.
Look, you, cats only meow for people, not each other. Also: not aquatic. This completely scans as 'cats are the opposite of beluga whales'. Anyway. What a sight they are to behold, a trio of weirdos. Bruce, secretly an awful softy, wonders if Sigrit wouldn't be happier in the wild. He wonders that about a lot of things. Animals, children, employees he moves from Gotham to Metropolis.
(Used to move.)
"Mmhm."
Of course it's a good aquarium, it's here.
Bruce's heart does something a little funny, when Clark takes his hand, but he follows along. It's a good something, even if it's also a nervous something. In the past he's stiltedly explained his history of performative heteronormativity - private school and the looming urban legends of inviting abuse, vague implications of dark things in training, and then the real and crippling fear of child services taking his kids away. And it was fine, because he likes women, anyway.
A lot of thinking for one hand. His squeezes Clark's.
"Mmhm. There was a family of them a ways off the coast of Australia, thought I'd drop in, see how they were doing." Clark glances back at Bruce, a smile, all self-awareness as he adds, "Nice folks."
It makes for fun 'how was your day' conversations at home.
Maybe Clark should have more hang ups than he does, given givens. That he is not as tactile in public is more about feeling comfortable in anonymity and giving Bruce a little bit of (but not too much) space. Maybe it's the Clinton-voting alien in him that doesn't carry around the worst of red state social pressures. Maybe he has plenty already to internalise on his own.
"You're a cartoon character," says Batman. But it's apparent by now that when Clark explains stuff like that, Bruce is just impressed; and of course he would be, here, when beluga whales are inspiring him to smile openly, and he's captured video footage of Clark being ridiculous with otters just because he doesn't think his heart can take thinking something like that might be lost in only his own suspect memory.
He's standing almost closer than necessary, to hold hands. Not to cover it up. Like some part of him thinks it's too fragile to withstand a bold two-foot distance, arms jostling with the cadence of their footsteps. Something to be protected instead.
It is something to be protected. Not the literal tangle of fingers right now, maybe, but what it gestures to, what it connotes for them both. He remembers Lois realising what it meant, loving him and him being in love with her, how her instinct has been to pull back, and maybe not now but today he certainly thinks about that. It had been to protect him.
Maybe he is a cartoon character, for his own instinct being to love even more fiercely. Bruce has tried to pull away too. It seems like a normal human instinct. But they probably both know by now that Clark isn't going to let them, no matter what prophetic dreams have to say.
They go to pet the stringrays, after determining that it's closer on the map anyway.
The touch tank is low, accessible for children, but it's a school day and so it's relatively empty, where all the people going on daytime dates are more interested in mooning over sharks and otters and belugas like losers. There's a sign with instructions, asking aquarium goers to stay quiet, not to splash the water, keep your hand still and palm flat, only touch these circled parts of the stingrays and gliding reef sharks present, and Clark follows all these to the letter. He has to take off his jacket and roll his sleeve, which he does.
"Do you snorkel?" Clark says, his attention such that he looks like he's asking the smooth grey stingray that passes beneath his hand, but it is intended for Bruce.
If a human instinct exists to withdraw from gods, then Bruce doesn't actually have it; first he wanted to fight Clark, and now this. His attempts to disengage have been a tangle of personal nonsense and personal clarity, and perhaps it hasn't been fair of him to make Clark feel like so much of an alien, when Bruce has had similar self-sabotage moments over mere mortals, too.
Perhaps also, mere mortals aren't equipped to tolerate his shit, and he was always meant for this in some way. Kryptonians and Amazons and the only humans who don't flinch from them.
"Do I snorkel."
Behind him, Bruce has conceded to removing his coat, temporarily depositing it on the railing leading down to the pool's edge. Using the thumb of his half-busted hand to tug up the opposite knitted sleeve. He hovers next to Clark for a while, enjoying watching him more than the idea of reaching into water turned into germ soup by a thousand hands and stingray pee. He will. Just give him a second.
Also, lurking behind him means that he can wait until Clark is behind forward again, and do that thing and poke him lightly in the back, like he's threatening to push him in.
There is a glance back at the nudge. Fuck around and find out, Wayne. (Neither of those things will happen. They are responsible.)
"Me neither," Clark says. "But it seems relaxing."
There is an epaulette shark circling nearer, but not near enough. Still, Clark isn't afraid of falling in, centre of gravity wherever he needs it to be, so he leans enough to brush fingers against spotted hide. Maybe they'll deserve another vacation in a future that doesn't feel like it's about to be eaten up by cosmic horrors. Maybe they'll kill an afternoon by drifting bellydown in crystal clear waters and stare at octopuses and eels and pointy-finned tropical fish, who will only see their shadows.
There's probably a lot they have to talk about. Clark evens out his hand when no fish is imminent, unconcerned about germs and stingray pee as he only just touches the surface. Earth is pretty good. The Els did alright.
"I can hold my breath for ten minutes or so," is his answer to relaxing floating jaunts. It seems unlikely that he can, particularly while doing anything, but you never know. Normal Batman shit. It would be less chill than a snorkel, but he'd get style points.
A kite-shaped ray comes around again, swooping on a lazy racetrack, and Bruce leans in and dips his hand into the water, letting his fingers run along its wet sandpaper skin. For a moment he lets himself be transported; standing just here (a meter over, actually), this same sensation under his hand, a ten-year-old boy babbling excitedly about it, utterly unaware of his shirtsleeves and half his front being soaked. It was crowded that day, noise echoing off every surface, animals drawn to the din.
Silence aside from lapping water, when he returns. (Only a few seconds missing. It's fine.)
"Once in a while I have to convince myself there's probably not anything unusual living under the house."
For a given value of unusual. Clark has his hand positioned with perfect form, having patted the ray after it skated by under Bruce's fingers. The few seconds of silence feels part and parcel to this moment that he doesn't wonder too sharply after what Bruce is thinking about, save that he is always wondering a little what Bruce is thinking about. It's all meditative, like the concentric ripples from their contact with the water, colliding, cancelling one another out.
Clark lifts his hand, lets water drip off his fingers, disinclined to startle anything by shaking it dry. "Frogs and minnows. Things that wanna be left alone, probably."
But stingrays are friendly. He will probably google 'do stringrays like being petted' in the Mercedes-Benz, later. He catches eye contact with a college-age aquarium employee lingering nearby at an adjacent touch tank bank to make sure no one is fucking with the fish, including the two huge gentlemen over here, and so Clark projects a disarming smile in their direction. They smile back.
Bruce may want to do something lest he find himself standing by while Clark strikes up friendly conversation with a marine biology major.
Clark is left dangerously unchecked, free to converse, while Bruce cautiously negotiates with a paper towel dispenser to dry his hand, unwilling to use his trousers unless he absolutely has to. So: that, followed by unfolding his sleeve, the artful pickpocketing of Clark's phone with which to take photos, and the redonning of his coat.
Surely the marine biology major will recognize neither local old rich guy nor Metropolisian journalist who once had an obit published with a clear photo of his face.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
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"Mm." Affirmative. Car on, but not moving. If he's only got one and a half hands, he's not going to eat a burrito and drive 120 miles per hour. He could, but the salsa would be pushing his luck.
"I ended up a fan," because for fifteen years I couldn't go into a regular cinema, "and sitting around in cars always makes me think of them. There's one on the other side of the city, still, but it's under the municipal airport. Which should be a crime, I think."
no subject
It's an easy memory lane to go down. A highly awkward date with Lana Lang immediately springs to mind, at an age where girls seemed to have five years experience at acting like adults than every boy he knew, including (especially) himself. Other times, alone. Friends and making them hadn't come so easy, even if he was allowed to drive around on the occasional Friday night at age fifteen, which is.
Impressive, on reflection. What a nerd.
"I took a girl out to see Godzilla. The one from 1950-something. I thought it was pretty great," in the tone of someone who still thinks it was pretty great, awful American dub work and all. "I take it your taste runs a little more..." What's the word. "Less lizard monsters." Nailed it.
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"That's one of the best movies ever made. And one of the most visceral, dealing with fears about nuclear holocaust so soon after the war."
So. You know.
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And pleased. Bruce Wayne likes movies, and movies he likes. He starts describing with enthusiasm the plot of the second one he ever saw, unable to recall the name, and enough cross-reference between them identifies it as Invasion of Astro-Monster which also tells on him for his taste levels, in spite of a strong opener.
A hard pivot, then, asking, "Did you ever see The Day the Earth Stood Still? I could probably watch Wise movies all day," as he balls up the burrito wrapper, containing all debris within. He is, at least, a neat eater.
no subject
Bruce eats his breakfast, quietness of his smile obscured behind burrito-or-cup held up to his face (showing his hand in his gaze, visible since he'd pushed his sunglasses up to the top of his head).
That future won't come. It isn't Clark. He won't let it be.
Bruce nods, when they swerve from kaiju to tales of human aggression versus aliens demanding peace. (It still isn't Clark.) "On the nose," he teases softly, still left with a corner of breakfast burrito, mostly folded up tortilla and leftover hot sauce. "One of the greats. In both instances, film and director. The first of his I saw was Born to Kill - too young, probably, but it was sort of therapeutic."
Of course it was. Bruce folds the foil and wax paper over itself, not so much buying time as just thinking.
"We should watch Haunting sometime. I always thought it was sort of romantic."
no subject
There'd been a crooked smile for teasing—boy, does he ever know—that then gentles at Bruce's choice of formative film experience. Oddly affirming, this moment in time and they're not even admiring sea otters or stingrays yet. It's early enough to render the city and its outlying territories in church light colours, and getting to spend any time with Bruce out in the wild is unusual in itself.
How worried he'd been, when Bruce had been gripped in the throes of dreams, and to think that the worst influence he thought he'd had on his nightmares was waking him up.
His eyebrows raise at this suggestion, charmed, and says, "Beautiful, definitely. Terrifying. You can convince me on romantic." And then he holds out his hands for trash, to go dispose of it. "Want more coffee before we go? I can get it."
no subject
"Mm." About the convincing. Like: I will, so.
Since he's offering, Bruce forks over the wrapper, and then smiles at him in that jagged-edge socialite way he did back at that awful library benefit. It's just as performative, but funnier these days on account of just how bullshit Clark knows it to be—
And how sexual it obviously is.
"You're a saint, Kent."
Yes, more coffee, please. And when that's sorted out, they're off to the aquarium, which is far from bustling on a week day, but not empty. The parking garage is uninspired, littered with cars spanning Gotham's usual wide range, junkers to luxury. Bruce's isn't even the nicest one, which says something about the nature of the city; opportunity and intrigue often does much more than safety. It's a shithole, and yet there are jobs, and engaging politics, and diverse schools. Gotham City is always fucking trying, which is more than many other, better places can say.
In his hat, Bruce looks slightly more unremarkable. Probably only a few chaperoning parents and the odd manager would recognize him anyway, these days. Which is a relief. Bruce does not miss being the height of useless celebrity, no matter how it's worked out alright for a cover.
"Sharks or eels, first?"
no subject
That practically all of Smallville and everyone at a news organisation knows Superman's identity should gesture to the farce that is Clark Kent navigating the world with his distinct everything, but a few small things can be shockingly effective. The glasses, sure, but a less articulate hairstyle, the tweed jacket he threw over his forest plaid, a conscious way of tapping into certain personality centres that aren't completely fabricated. There is something a little dopier and disarming in the way he talked the cashier through his vegan breakfast, or smiled at the lady selling admission. Superman, in a lot of ways, is a whole other performance.
The disguise of 'sweet dork who kind of looks like Superman, don't you think' is effective when it's, you know, only a little off from the truth. And no one's looking at them now, anyway.
They're looking at sharks.
The tanks are spooky in a way Clark likes, necessarily gigantic, full of shadows and sharding light that wobbles through the surface. The sharks that glide by are wide eyed, toothy, (he'd thought about it, kissing Bruce's smile in the car, hard and chastising, but his hands had been full and he really did want to go to the aquarium,) and Clark never really figured out if his sense of living creatures actually gives him some insight into how they're feeling. It is possible he is just prone to projecting onto them, he knows, but these guys read curious and friendly.
"Do you think they're more like dogs or horses to Atlanteans?" is his completely serious question.
no subject
Anyway, everyone who knows Clark knows he's Superman.
"I guess it depends on the size of the shark and the way weight distribution versus momentum works for them," is his completely serious answer. "Spines do most of the work, with horses, and sharks don't even have bones."
Two men who really like Godzilla could easily be so extremely annoying Arthur. It's probably for the best that he's not very Atlanean. Heaven forbid they get a hold of his brother.
A large hammerhead drifts by above them, its funny crescent moon mouth passing over them like a spotlight. Distorts, looking impossibly large in the warped reflection through curved tunnel glass, slips by back to normal size. Bruce is doing a lot of placid sight-seeing, hands mostly in his pockets, sometimes out, tapping against a display placard before he remembers himself. An extreme version of a very old therapy tactic. Redirection. How do I get out of the impending debilitating panic attack in front of Clark. Let's get the fuck out of here entirely. Aquarium. Sure. He's fine. This is actually really nice; good thing Clark didn't kiss him in the car, they probably wouldn't have made it.
no subject
Clark wanders a little ahead of Bruce now and then, at one stage following along with a gigantic spotted stingray pressing its oddly smiley white face to the tunnel wall before it skates off above and over his head. Bruce taps a plaque here and there without thinking and the noise of it, to Clark, seems like it could make ripples through the green-blue around them, but of course it doesn't.
Something getting worked through, anyway. At one stage, Clark remembers himself and takes out his phone, giving Bruce a chance to catch up. He angles the device upwards to take ominous look pictures of the hammerhead silhouette, now swum further up towards the surface of the tank, a shadow against bright blue.
Once done, he looks to Bruce and tips the phone. An inevitability, especially under the aquatic gloom and blue, very cinematic. "C'mere." He'll take off his own glasses and everything.
no subject
(He is, actually. Sure why.)
"Oh, huh." We're doing this, are we tone of monosyllabic voice. Bruce's sunglasses are already clipped into his shirt, 'indoors' like they are, and so he pops his hat off and shakes his hair out a bit, patiently sidling up beside Clark.
"I bet you're actually just taking a picture of that fish," he observes mildly. Bruce is not enthusiastic about photos, but after a lifetime of being in the public eye, his good angles are on the kind of auto-pilot that would please Tyra Banks. For given value of good, anyway, he's a weird old guy taking up way too much space next to Superman.
no subject
Well.
Click.
He takes the picture, their stupid faces taking up a lot of real estate but there's the tank behind them, and streaks of silver from schooling fish. He checks the gallery to see if the job he did was good, other hand drifting to Bruce's back. There are other photos like this, Lois-y ones for the most part, beach days and picnics and brunches, and also one of Diana, all of a similar genre. One without himself in it, of Barry and Arthur across a table somewhere noisy, half-filled pints, not noticing surreptious phototaking. Martha, in her sun hat, holding a trowel and looking embarrassed for the attention, and pleased by it too.
There's no instragram for these, obviously, and he is not actually That Guy about photos, but a collection's begun to form since he came back from the dead. New habits. It's probably unrelated.
Clark shows the picture to Bruce, for his satisfaction.
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Clark is pretty cute, turns out. Who knew. The other photos, intimate things despite the ordinary nature of them, are glanced quickly and committed to memory, unobvious about it. Bruce is not the type to take pictures. He was, once. There are photo albums full of his kids, and even ones of himself, before. They're with Alfred. Bruce can't bear to even know where they are, which is probably pathetic. Surely it's been long enough.
(It's probably unrelated.)
He thinks they've probably blown the best attraction too early, with the shark tunnel, but it turns out there are other wonders eager to give it a run for its money. Gharials, slightly nightmarish but fascinating, very active sea otters. Bruce steals Clark's phone for those, and so he (Clark) ends up with a video of himself (Clark) with little aquatic dogs zooming around behind his head (taken by cameraman Bruce).
There's a beluga whale teasing them, at the moment, and it's pretty great.
"You hear about the Russian spy?"
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It sounds familiar, a headline Clark probably scanned at some stage or another, read on his phone on a ferry ride, and he could probably bring up the memory if he didn't also want to listen to Bruce talk to him about Russian spy beluga whales. They stand shoulder to shoulder, almost, watching this particular very good cetacean spin in lazy circles, like it's flying in slow motion.
He has to make Arthur be his friend enough to get to go to Atlantis sometime. He doesn't need to breathe like he didn't really need a protein substitute in his vegan burrito like he didn't need to sleep last night beyond just enjoying the fleeting comfort of it. So he can go to Atlantis if he wants, and it'd be polite to wait for invitation. He's already lured Diana to the midwest with promise of apple pie, even if he has less chance of getting to see Themyscira than even the underwater depths of a forgotten kingdom.
As he plots, and listens, Clark's shoulder bumps into Bruce's. Very human feeling, this contact, rather than a Kryptonian shouldercheck. Probably most fully grown adult men don't go on platonic playdates to aquariums very much, but his instinct is discretion anyway, most times.
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Their friend twirls around, mouth opening wide to display deep rows of funny little teeth. If Clark and Bruce are being discreet, that's the only note to observe. An elderly couple and a nuclear family playing hooky from school and work are also drifting through the large viewing area, and he can't imagine there's any conclusion to be drawn besides Those men are on a date, if indeed any conclusion would be bothered to be drawn at all.
Which is not nothing. Perhaps it should be. One of them could have thought ahead a little, about the potential for degrees of fallout should someone snap a photo and run it on the least trafficked corner of TMZ.
Fortunately, he's not that famous.
"They're the opposite of cats," is what he ends up saying, after relaying the requisite facts about Agent Hvaldimir, Defected Russian Spy. "They don't use body language with each other, just sounds. Echolocation."
like a submarine mr wayne
"They do all this for people." He leans one way, slightly into Clark, and the whale drifts to mirror. Bruce smiles.
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He breaks into a bigger grin when he is the last of the three to tip alongside, and the whale tips nearly upside down.
Laughing, low and quiet, he says, "This is a good aquarium."
His hand finds Bruce's, and he pulls him along at a slow wander for a few feet, the creature on the other side of the glass following them apace. "Reminds me of Woodstock," he adds, which is probably not very flattering to Sigrit, the beluga whale, but probably Clark imagines that Woodstock, the sun conure, very smart, and also prone to watching him exactly like this, following his movements. "But it's probably more like the other way around. I've met some whales."
Slow moving humpbacks, older and wiser and lazily curious about the visiting primate and his bright red plumage. Bright red at the time, anyway.
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(Used to move.)
"Mmhm."
Of course it's a good aquarium, it's here.
Bruce's heart does something a little funny, when Clark takes his hand, but he follows along. It's a good something, even if it's also a nervous something. In the past he's stiltedly explained his history of performative heteronormativity - private school and the looming urban legends of inviting abuse, vague implications of dark things in training, and then the real and crippling fear of child services taking his kids away. And it was fine, because he likes women, anyway.
A lot of thinking for one hand. His squeezes Clark's.
"You've met some whales"
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It makes for fun 'how was your day' conversations at home.
Maybe Clark should have more hang ups than he does, given givens. That he is not as tactile in public is more about feeling comfortable in anonymity and giving Bruce a little bit of (but not too much) space. Maybe it's the Clinton-voting alien in him that doesn't carry around the worst of red state social pressures. Maybe he has plenty already to internalise on his own.
It is, anyway, just a hand, and he squeezes back.
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He's standing almost closer than necessary, to hold hands. Not to cover it up. Like some part of him thinks it's too fragile to withstand a bold two-foot distance, arms jostling with the cadence of their footsteps. Something to be protected instead.
What's next? Petting stingrays? Seals?
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Maybe he is a cartoon character, for his own instinct being to love even more fiercely. Bruce has tried to pull away too. It seems like a normal human instinct. But they probably both know by now that Clark isn't going to let them, no matter what prophetic dreams have to say.
They go to pet the stringrays, after determining that it's closer on the map anyway.
The touch tank is low, accessible for children, but it's a school day and so it's relatively empty, where all the people going on daytime dates are more interested in mooning over sharks and otters and belugas like losers. There's a sign with instructions, asking aquarium goers to stay quiet, not to splash the water, keep your hand still and palm flat, only touch these circled parts of the stingrays and gliding reef sharks present, and Clark follows all these to the letter. He has to take off his jacket and roll his sleeve, which he does.
"Do you snorkel?" Clark says, his attention such that he looks like he's asking the smooth grey stingray that passes beneath his hand, but it is intended for Bruce.
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Perhaps also, mere mortals aren't equipped to tolerate his shit, and he was always meant for this in some way. Kryptonians and Amazons and the only humans who don't flinch from them.
"Do I snorkel."
Behind him, Bruce has conceded to removing his coat, temporarily depositing it on the railing leading down to the pool's edge. Using the thumb of his half-busted hand to tug up the opposite knitted sleeve. He hovers next to Clark for a while, enjoying watching him more than the idea of reaching into water turned into germ soup by a thousand hands and stingray pee. He will. Just give him a second.
Also, lurking behind him means that he can wait until Clark is behind forward again, and do that thing and poke him lightly in the back, like he's threatening to push him in.
"Can't say that I do, no."
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"Me neither," Clark says. "But it seems relaxing."
There is an epaulette shark circling nearer, but not near enough. Still, Clark isn't afraid of falling in, centre of gravity wherever he needs it to be, so he leans enough to brush fingers against spotted hide. Maybe they'll deserve another vacation in a future that doesn't feel like it's about to be eaten up by cosmic horrors. Maybe they'll kill an afternoon by drifting bellydown in crystal clear waters and stare at octopuses and eels and pointy-finned tropical fish, who will only see their shadows.
There's probably a lot they have to talk about. Clark evens out his hand when no fish is imminent, unconcerned about germs and stingray pee as he only just touches the surface. Earth is pretty good. The Els did alright.
Hopefully.
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"I can hold my breath for ten minutes or so," is his answer to relaxing floating jaunts. It seems unlikely that he can, particularly while doing anything, but you never know. Normal Batman shit. It would be less chill than a snorkel, but he'd get style points.
A kite-shaped ray comes around again, swooping on a lazy racetrack, and Bruce leans in and dips his hand into the water, letting his fingers run along its wet sandpaper skin. For a moment he lets himself be transported; standing just here (a meter over, actually), this same sensation under his hand, a ten-year-old boy babbling excitedly about it, utterly unaware of his shirtsleeves and half his front being soaked. It was crowded that day, noise echoing off every surface, animals drawn to the din.
Silence aside from lapping water, when he returns. (Only a few seconds missing. It's fine.)
"Once in a while I have to convince myself there's probably not anything unusual living under the house."
In the dark water.
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For a given value of unusual. Clark has his hand positioned with perfect form, having patted the ray after it skated by under Bruce's fingers. The few seconds of silence feels part and parcel to this moment that he doesn't wonder too sharply after what Bruce is thinking about, save that he is always wondering a little what Bruce is thinking about. It's all meditative, like the concentric ripples from their contact with the water, colliding, cancelling one another out.
Clark lifts his hand, lets water drip off his fingers, disinclined to startle anything by shaking it dry. "Frogs and minnows. Things that wanna be left alone, probably."
But stingrays are friendly. He will probably google 'do stringrays like being petted' in the Mercedes-Benz, later. He catches eye contact with a college-age aquarium employee lingering nearby at an adjacent touch tank bank to make sure no one is fucking with the fish, including the two huge gentlemen over here, and so Clark projects a disarming smile in their direction. They smile back.
Bruce may want to do something lest he find himself standing by while Clark strikes up friendly conversation with a marine biology major.
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Just imagine the quacking.
Clark is left dangerously unchecked, free to converse, while Bruce cautiously negotiates with a paper towel dispenser to dry his hand, unwilling to use his trousers unless he absolutely has to. So: that, followed by unfolding his sleeve, the artful pickpocketing of Clark's phone with which to take photos, and the redonning of his coat.
Surely the marine biology major will recognize neither local old rich guy nor Metropolisian journalist who once had an obit published with a clear photo of his face.
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and then the thread ended. hereafter are dvd extras.
beep boop
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