Clark doesn't shower. He sheds clothing, leaves it folded somewhere obvious in a gesture of thanks, tugs on his suit, and goes a different way he came.
Because the temptation he is warring with is a different kind, the kind that wants to follow on quiet footsteps and see if they can't continue this conversation, well into the night, careless and selfish of him, really. The kind that wants him to glance through walls, and is too fully aware of that heartbeat tracking around the lake house like an echo, somehow more powerful and resonant than Alfred's resting rate.
But Clark does follow one impulse, as nosy as the others. In the quiet early hours, he takes to the sky, only to slowly lower himself where some of the roof has caved in of Wayne Manor.
Dry leaves and dirt flutters around where his feet touch down and heavy cape hem sweeps. It's cold in a way the outside is less. Cold shadows, cold marble, cold columns. The only associations that Clark Joe has with a place like this is a museum. Or a mausoleum. Hard to picture it with a fire in the hearth over there, made cosy with furniture, with a childhood lived out in these halls. Christmas decorations, a tree, a wreath on the door. Severed, he thinks, given the rate of decay, but isn't sure when. Everyone lives some kind of way, he supposes. Normal is what you're used to.
His wander is curious, a little aimless, simply looking, maybe taking the walk that he interrupted Bruce from taking. There's no focused pursuit for evidence or artefacts.
He sometimes wonders what it was like for the children of Krypton. What it might have been like for him. Wide open spaces like these, maybe. Perhaps the scout ship is as far apart as the architecture as a space shuttle would be to an earth home. Maybe they're as varied as earth homes, although he doubts it. Didn't seem a lot of room for cultural variation, from what he'd managed to learn from ghosts of the past.
He roams hallways, pushes open doors, but does not enter rooms, let alone ransack them. His treatment is at as deferential as it is invasive. Thoughtful, reflective. CCTV footage won't be able to pick up on what he's thinking, after all.
Returning to his landing spot, Clark takes off again, leaving only displaced leaves and a few dusty foot prints behind before disappearing into the night sky.
Edited (all these edits is what you get for these rude comics) 2017-12-13 10:44 (UTC)
It's shocking how quickly the world can turn back to nature without the direct interference of humans - or perhaps, it's just shocking how much work goes into maintaining the basic integrity of a building on a regular basis. Wayne Manor has been abandoned for decades, and though it seems like there should be an 'only' in there, the truth of it is that leaky ceilings and rotting beams can destroy a structure in a small handful of years. Helped along in this case by harsh eastern seaboard weather (exacerbated by Climate Change), and the age of the manor in the first place. She needed extra care. She received none.
To say nothing of the obvious fire damage.
There are portions of the house worse off than others; perhaps, before it was left empty entirely, a small family unit lived only in the bedrooms closest to the kitchens, instead of having the run of the whole palatial grounds. It would be sensible and considerate. Saving power. Carbon footprints. The Waynes were known for their good natures.
Were.
What are they known for now? Eccentricity. Excess. Decay.
The network of CCTV cameras on the expanse of his property does not have thoroughly paranoid coverage in the ruins - against type, but Bruce didn't have the heart. It's just enough to know if any drunk teenagers from the city proper have made the double-dog-dare trip out to loot a brick. Just enough to watch the last son of Kryptonian move carefully through the crumbled skeleton of his childhood.
Bruce plays the footage again and again, trying to draw concrete meaning out of his wandering, trying to will away the ache of understanding. He pushed away from a moment in which he could have pressed his mouth to Clark's-- is he pushing away a moment where he can reach out and touch the back of his hand, say We're both orphans?
Construction teams arrive. The first thing they do is clear away debris and dirt and pull out all the infringing plant life, leaving the ancient structure looking like an open wound waiting for stitches. Bruce hates looking at it. He sends updates to Diana and leaves Alfred in charge of it, relocating for the time being to his penthouse in the city.
Coward, he listlessly tells his reflection in the tall windows.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
no subject
Because the temptation he is warring with is a different kind, the kind that wants to follow on quiet footsteps and see if they can't continue this conversation, well into the night, careless and selfish of him, really. The kind that wants him to glance through walls, and is too fully aware of that heartbeat tracking around the lake house like an echo, somehow more powerful and resonant than Alfred's resting rate.
But Clark does follow one impulse, as nosy as the others. In the quiet early hours, he takes to the sky, only to slowly lower himself where some of the roof has caved in of Wayne Manor.
Dry leaves and dirt flutters around where his feet touch down and heavy cape hem sweeps. It's cold in a way the outside is less. Cold shadows, cold marble, cold columns. The only associations that Clark Joe has with a place like this is a museum. Or a mausoleum. Hard to picture it with a fire in the hearth over there, made cosy with furniture, with a childhood lived out in these halls. Christmas decorations, a tree, a wreath on the door. Severed, he thinks, given the rate of decay, but isn't sure when. Everyone lives some kind of way, he supposes. Normal is what you're used to.
His wander is curious, a little aimless, simply looking, maybe taking the walk that he interrupted Bruce from taking. There's no focused pursuit for evidence or artefacts.
He sometimes wonders what it was like for the children of Krypton. What it might have been like for him. Wide open spaces like these, maybe. Perhaps the scout ship is as far apart as the architecture as a space shuttle would be to an earth home. Maybe they're as varied as earth homes, although he doubts it. Didn't seem a lot of room for cultural variation, from what he'd managed to learn from ghosts of the past.
He roams hallways, pushes open doors, but does not enter rooms, let alone ransack them. His treatment is at as deferential as it is invasive. Thoughtful, reflective. CCTV footage won't be able to pick up on what he's thinking, after all.
Returning to his landing spot, Clark takes off again, leaving only displaced leaves and a few dusty foot prints behind before disappearing into the night sky.
no subject
To say nothing of the obvious fire damage.
There are portions of the house worse off than others; perhaps, before it was left empty entirely, a small family unit lived only in the bedrooms closest to the kitchens, instead of having the run of the whole palatial grounds. It would be sensible and considerate. Saving power. Carbon footprints. The Waynes were known for their good natures.
Were.
What are they known for now? Eccentricity. Excess. Decay.
The network of CCTV cameras on the expanse of his property does not have thoroughly paranoid coverage in the ruins - against type, but Bruce didn't have the heart. It's just enough to know if any drunk teenagers from the city proper have made the double-dog-dare trip out to loot a brick. Just enough to watch the last son of Kryptonian move carefully through the crumbled skeleton of his childhood.
Bruce plays the footage again and again, trying to draw concrete meaning out of his wandering, trying to will away the ache of understanding. He pushed away from a moment in which he could have pressed his mouth to Clark's-- is he pushing away a moment where he can reach out and touch the back of his hand, say We're both orphans?
Construction teams arrive. The first thing they do is clear away debris and dirt and pull out all the infringing plant life, leaving the ancient structure looking like an open wound waiting for stitches. Bruce hates looking at it. He sends updates to Diana and leaves Alfred in charge of it, relocating for the time being to his penthouse in the city.
Coward, he listlessly tells his reflection in the tall windows.